We love Halloween at INSA HEELS as it marks the start of the company 2 years ago!!
We are celebrating this fact by giving a massive 40% discount on all stock!
YES THAT’S RIGHT 40%!!!
Go to INSA HEELS now.
I haven’t really been keeping up to date with my press clippings- so heres a selection of recent features from across the world:
125 art and design magazine from China
Luxuraint magazine from Luxembourg
Linda magazine from the Netherlands
Which (by amusing coincidence due to the name) used the same image for there front cover as the recent Juxtapoz cover.
Looks like someone found the warehouse where i painted THIS room and has used in their music video!
Thanks to Kyle for pointing this out to me.
For the first time i have taken the GIF inside!!
i repainted the gallery wall 6 times for this one>>>>>
I love the reflection you get in the picture frames and floor!
Shot from 2 angles…..a long long night….
Thanks to Julie for lending her legs to the cause.
Original GIF spiral from DVDP
Opening this Friday at EXTRABOLD gallery, Luxembourg:
Invited back for my second solo show! If you are in or near Luxembourg then come down.
“INSA’s work, contray to some at first glace, speaks to an inquisitive and informed viewship. His beattiful women flaunting oiled skin and high heels or name brand sneakers serve as modern icons and symbols of our lavish and unsustainable, even unhealthy, lifestyle. Our obseeeion with sex, consumerism, the female body- he uses the inherent “want” of humanity in this most modern context to show that it isn’t really about any of that. The whole game is serving up exactly what is least anticipated.
Debord’s forefather Karl Marx argued, “Fetishism is ‘the religion of sensuous appetites’[...] the fantasy of the appetites tricks the fetish worshipper into believing that an ‘inanimate object’ will give up its natural character to gratify his desires.
This critique of contemporary consumer culture and commodity fetishism is personified throughout INSA’s works of immediacy and presence.”
Katie Zuppann- Juxtapoz Magazine
Portrait photograph by Bernard Miller